For projectors, new technology means new training (and new errors!)

Mode errors! Coming soon to a theater near you? Have you ever forgotten to set your camera back to Auto from Portrait? How about not understanding what those modes mean? Apparently a similar phenomenon occurs in the professional world of movie theaters. There is a special lens filter used for 3-D movies and when it is not removed for normal movies, the brightness of the film suffers. See the story below for details.

A movie lover’s plea: Let there be light: Many theaters misuse 3-D lenses to show 2-D films, squandering brightness, color

So why aren’t theater personnel simply removing the 3-D lenses? The answer is that it takes time, it costs money, and it requires technical know-how above the level of the average multiplex employee. James Bond, a Chicago-based projection guru who serves as technical expert for Roger Ebert’s Ebertfest, said issues with the Sonys are more than mechanical. Opening the projector alone involves security clearances and Internet passwords, “and if you don’t do it right, the machine will shut down on you.’’ The result, in his view, is that often the lens change isn’t made and “audiences are getting shortchanged.’’

I think “and if you don’t do it right, the machine will shut down on you” summed it up nicely!

Photo credit PatrickBeeson at Flickr.